~ English conductor Sir Thomas Beecham commenting on a cello player's talent.
Although this is an arbitrary post to pick up after being AWOL for so long, but I really don't want to talk about life, universe, or anything else along those lines.
I have been listening to some western classical music since December last year. No apparent reason, just happened to stumble across it as I was aimlessly trying to find something interesting to distract me while waiting for a job... which, by the way, I still haven't found, so I would appreciate any help anyone could give me.
Anyway, on to the subject at hand. This is not meant to be pretentious. I am musically talentless, tone-deaf, if you will. Nor am I educated in the jargon. I don't claim to be a connoisseur, these are just some of the pieces I have truly enjoyed listening to, some over and over again in our media library selection... a top 10 pick. I have provided a few links to some of the pieces on youtube, but most are of poor quality not to mention in incomplete parts, but will give you a sense of the piece.
1. Sergei Rachmaninoff Piano Concerto#2, Op. 18
Compared to the chaps we are familiar with, Rachmaninoff is fairly contemporary (d. 1943). He wrote this piece recovering from severe depression and a particularly dirty break-up with his wife. Although not as famous as his Piano Concerto#3, this is a powerful piece and the first movement is absolutely spellbinding. A virtuoso himself he often played this as a part of his repertoire. There are lots of renditions... Arcadi Volodos, Sergei Vassiljevitsj, Evgeny Kissin, but my favorite has to be Alexis Weisenberg with the Berlin Philharmonic conducted by the late (Nazi!) Herbert von Karajan. The clip is a little messed up in the beginning but it's Karajan and Weisenberg.
2. Sergei Rachmaninoff Piano Concerto#3, Op. 30
His most famous composition, and reputedly extremely hard to play well. Although, I personally prefer #2, #3 requires more deftness and technical fingering, or so I am told by resident piano experts at Hamilton. I have only heard two renditions, but 69 year old Vladimir Horowitz playing under the baton of Zubin Mehta in 1978 was absolutely spectacular. Clip of the first part of the first movement.
3. Camille Saint-Saens' Introduction and Rondo Capriccioso, Op. 28
Although considered repetitive or even boring, along with Tchaikovsky's Violin Concerto #1, Op. 35, this is my favorite piece for the violin. Again there are many renditions, Itzhak Perlman, Jascha Heifetz, etc. The one that really captured me was 14-year old Viviane Hagner performing with the Israeli and Berlin Philharmonic in Tel Aviv in 1990 under Zubin Mehta. There was something about that performance that was just right...see for yourself.
4. Pyotr Tchaikovsky's Violin Concerto#1, Op. 35
When this composition premiered it was major failure and most violinists of the time refused to play it, but today it is concerned as one of the best pieces for the violin and virtuosos covet to play the solo. I have mixed feelings about this. At times, it is sublime, at times it sounds discordant and scratchy, more of an experiment with the instrument than the results of success. Nevertheless, 18 year Akiko Suwanai, prize winner at the Tchaikovsky Competition in Moscow has played a beautiful rendition. Jascha Heifetz's is the most famous, but I still prefer Suwanai. First part of the first movement.
5. Maurice Ravel's Miroirs 4: "Alborada del Gracioso"
French. In my opinion the pop star of the modern Romantic period. Ravel is the turn of the century ABBA. Upbeat, catchy, and you can tap your feet to it and you don't need to close your eyes to enjoy the music. I personally like the piano solo version, but the arrangement for the orchestra is quite good too but feels a little somber and not, well "happy enough". There's a strange piece with Bram van Sambeek doing a bassoon solo! As for versions, there's Richter (a bit too fast, I felt), Karstein Djupdal (the other version our library had) is quite good. I'm sure there are some better ones out there, let me know if you find a good piece. It's a horrible version but the best I could find on youtube.
6. W. A. Mozart's "Requiem" K626
Foggy, gloomy, surreal. Mozart's famous unfinished work. Although there is debate on how much of it was actually written by the maestro himself, it is still a hauntingly beautiful piece. The violins and the chorals... it's pretty scary. Haven't found a favorite version yet. First part of 6.
7. Camille Saint-Saens' "Danse Macabre"
Another hauntingly surreal piece. I first heard an excerpt of this as the opening theme to the British drama "Jonathan Creek" starring Alan Davies. For this composition too there are arrangements for violin and piano, but I like the orchestral version the most. There is something about the thundering sound of violin crescendos and timpani. Complete clip, good quality, Philadelphia Philharmonic.
8. Igor Stravinsky's "Petrushka" (ballet)
I wasn't sure if I wanted to add this, so I am playing it right now and I think I should add it. Petrushka is a ballet, and although it has it's moments of genius, if simply heard, rather than seen, it can feel a bit, well, "rough". Russian to the core, it's very hard with heavy, banging fortissimos. The piano arrangement that he later did for Russian pianist Rubenstein is actually quite good. I'm trying to see if I can get hold of a video, I've asked the library to order a copy, let's see. Youtube has a very dirty copy if you're interested. Piano rendition of "Russian Dance" from the first act.
9. Pyotr Tchaikovsky's "Festival Overture: The Year 1812", op. 49
To quote Calvin, "The fire cannons in a crowded theater... and then they say classical music is boring!" No seriously, this is as Russian as it gets, war drums, cannon fire... gotta love that. Quite different from the Violin Concerto I listed above, but equally good. And if you're Russian, patriotic to beat. If you're French, well that just sucks now doesn't it? Versions, hmm... well we have the Moscow Philharmonic and the Berlin Philharmonic versions conducted by Ozawa. Both are good, but use synthesized sounds. I want a taste of the real thing!
10. Johannes Brahms' Symphony#1, Op. 68
I was torn between Handel's "Messiah" and this but I think the fact that Brahms took almost 20 years to write the damn thing, gives him a little more weight. We'll cover Handel next time around. The opening is powerful. It isn't overtly long like Mahler and Beethoven (Brahms was supposed to carry on Big B's legacy...) for that matter and he manages to keep it tight. He put the 20 years to good use. Right till the finale there is a sense of tension. However, even a novice like myself can hear the similarities between this piece and a mix of Big B's 5th, 7th, and 9th symphonies. No favorite version yet. I don't know how good the clip is, I haven't heard it... it's the first decent on I found on youtube.
Well that covers that for now, next time, let's see, Beethoven, Liszt and his unplayable "Transcendental Etudes", Strauss, Debussy, Haydn, Mahler, Mendelssohn, Bruckner and whatever I find interesting in the interim. Maybe Paganini. I'm sure many of you have recommendations, so fire away...
Although this is an arbitrary post to pick up after being AWOL for so long, but I really don't want to talk about life, universe, or anything else along those lines.
I have been listening to some western classical music since December last year. No apparent reason, just happened to stumble across it as I was aimlessly trying to find something interesting to distract me while waiting for a job... which, by the way, I still haven't found, so I would appreciate any help anyone could give me.
Anyway, on to the subject at hand. This is not meant to be pretentious. I am musically talentless, tone-deaf, if you will. Nor am I educated in the jargon. I don't claim to be a connoisseur, these are just some of the pieces I have truly enjoyed listening to, some over and over again in our media library selection... a top 10 pick. I have provided a few links to some of the pieces on youtube, but most are of poor quality not to mention in incomplete parts, but will give you a sense of the piece.
1. Sergei Rachmaninoff Piano Concerto#2, Op. 18
Compared to the chaps we are familiar with, Rachmaninoff is fairly contemporary (d. 1943). He wrote this piece recovering from severe depression and a particularly dirty break-up with his wife. Although not as famous as his Piano Concerto#3, this is a powerful piece and the first movement is absolutely spellbinding. A virtuoso himself he often played this as a part of his repertoire. There are lots of renditions... Arcadi Volodos, Sergei Vassiljevitsj, Evgeny Kissin, but my favorite has to be Alexis Weisenberg with the Berlin Philharmonic conducted by the late (Nazi!) Herbert von Karajan. The clip is a little messed up in the beginning but it's Karajan and Weisenberg.
2. Sergei Rachmaninoff Piano Concerto#3, Op. 30
His most famous composition, and reputedly extremely hard to play well. Although, I personally prefer #2, #3 requires more deftness and technical fingering, or so I am told by resident piano experts at Hamilton. I have only heard two renditions, but 69 year old Vladimir Horowitz playing under the baton of Zubin Mehta in 1978 was absolutely spectacular. Clip of the first part of the first movement.
3. Camille Saint-Saens' Introduction and Rondo Capriccioso, Op. 28
Although considered repetitive or even boring, along with Tchaikovsky's Violin Concerto #1, Op. 35, this is my favorite piece for the violin. Again there are many renditions, Itzhak Perlman, Jascha Heifetz, etc. The one that really captured me was 14-year old Viviane Hagner performing with the Israeli and Berlin Philharmonic in Tel Aviv in 1990 under Zubin Mehta. There was something about that performance that was just right...see for yourself.
4. Pyotr Tchaikovsky's Violin Concerto#1, Op. 35
When this composition premiered it was major failure and most violinists of the time refused to play it, but today it is concerned as one of the best pieces for the violin and virtuosos covet to play the solo. I have mixed feelings about this. At times, it is sublime, at times it sounds discordant and scratchy, more of an experiment with the instrument than the results of success. Nevertheless, 18 year Akiko Suwanai, prize winner at the Tchaikovsky Competition in Moscow has played a beautiful rendition. Jascha Heifetz's is the most famous, but I still prefer Suwanai. First part of the first movement.
5. Maurice Ravel's Miroirs 4: "Alborada del Gracioso"
French. In my opinion the pop star of the modern Romantic period. Ravel is the turn of the century ABBA. Upbeat, catchy, and you can tap your feet to it and you don't need to close your eyes to enjoy the music. I personally like the piano solo version, but the arrangement for the orchestra is quite good too but feels a little somber and not, well "happy enough". There's a strange piece with Bram van Sambeek doing a bassoon solo! As for versions, there's Richter (a bit too fast, I felt), Karstein Djupdal (the other version our library had) is quite good. I'm sure there are some better ones out there, let me know if you find a good piece. It's a horrible version but the best I could find on youtube.
6. W. A. Mozart's "Requiem" K626
Foggy, gloomy, surreal. Mozart's famous unfinished work. Although there is debate on how much of it was actually written by the maestro himself, it is still a hauntingly beautiful piece. The violins and the chorals... it's pretty scary. Haven't found a favorite version yet. First part of 6.
7. Camille Saint-Saens' "Danse Macabre"
Another hauntingly surreal piece. I first heard an excerpt of this as the opening theme to the British drama "Jonathan Creek" starring Alan Davies. For this composition too there are arrangements for violin and piano, but I like the orchestral version the most. There is something about the thundering sound of violin crescendos and timpani. Complete clip, good quality, Philadelphia Philharmonic.
8. Igor Stravinsky's "Petrushka" (ballet)
I wasn't sure if I wanted to add this, so I am playing it right now and I think I should add it. Petrushka is a ballet, and although it has it's moments of genius, if simply heard, rather than seen, it can feel a bit, well, "rough". Russian to the core, it's very hard with heavy, banging fortissimos. The piano arrangement that he later did for Russian pianist Rubenstein is actually quite good. I'm trying to see if I can get hold of a video, I've asked the library to order a copy, let's see. Youtube has a very dirty copy if you're interested. Piano rendition of "Russian Dance" from the first act.
9. Pyotr Tchaikovsky's "Festival Overture: The Year 1812", op. 49
To quote Calvin, "The fire cannons in a crowded theater... and then they say classical music is boring!" No seriously, this is as Russian as it gets, war drums, cannon fire... gotta love that. Quite different from the Violin Concerto I listed above, but equally good. And if you're Russian, patriotic to beat. If you're French, well that just sucks now doesn't it? Versions, hmm... well we have the Moscow Philharmonic and the Berlin Philharmonic versions conducted by Ozawa. Both are good, but use synthesized sounds. I want a taste of the real thing!
10. Johannes Brahms' Symphony#1, Op. 68
I was torn between Handel's "Messiah" and this but I think the fact that Brahms took almost 20 years to write the damn thing, gives him a little more weight. We'll cover Handel next time around. The opening is powerful. It isn't overtly long like Mahler and Beethoven (Brahms was supposed to carry on Big B's legacy...) for that matter and he manages to keep it tight. He put the 20 years to good use. Right till the finale there is a sense of tension. However, even a novice like myself can hear the similarities between this piece and a mix of Big B's 5th, 7th, and 9th symphonies. No favorite version yet. I don't know how good the clip is, I haven't heard it... it's the first decent on I found on youtube.
Well that covers that for now, next time, let's see, Beethoven, Liszt and his unplayable "Transcendental Etudes", Strauss, Debussy, Haydn, Mahler, Mendelssohn, Bruckner and whatever I find interesting in the interim. Maybe Paganini. I'm sure many of you have recommendations, so fire away...
