Tuesday, June 05, 2012

The City Burnt Brightly


Raging towers of inferno
Swirled in an ashen night sky.
Trees looked angry as smoke
Bellowed from their fiery crowns.
Buildings crumbled,
Engulfed in columns of fire.
The billowing ash made the moon
Seem cold, blue, and distant.
Scorched earth and hot sand
Burnt the naked soles of my feet.

The city burnt brightly behind me
As I waited for you at the pier.

Panic swept across
The ordinarily serene harbor.
People ran frantically.
Men and women and children
Families, friends, and lovers
Dashed to the nearest boats
To rescue their
Hopes, dreams, and fantasies.

I waited for you at the pier
With nothing else,
But the memories of us together.

As the boats began to fill,
Mad men threw themselves
Into the murky toxic waters
To swim for the distant shore
I watched in wonder and
Lamented their fall, and

I stood there waiting at the pier,
Wondering where you are.

What lengths we go to escape?
Fight the choking hand
Of Fate and Destiny we might.
But there is no relief
From this mortal coil
If you are not here tonight.

All the ships had sailed away
And I still waited for you at the pier

I stood there alone
As the city burned brightly behind me.
You never came,
But I still waited for you at the pier
Hoping you’ll rescue me,
As the flames danced in closer.

Sunday, June 03, 2012

A Fool's Voyage

I will sail my ship
Against the raging sea.
I will steer between
Scylla and Charybdis,
Battle one-eyed demons
And challenge night terrors.
I will fight sea monsters
And seductive sea nymphs.
I will dance with danger
And risk against my instincts.
All to come back to you;
So I can drown,
In your harbor.

Saturday, June 02, 2012

Come With Your Sorrows


Come with your sorrows.
Your back hunched
Bearing the weight of this
Dire and wicked world.

Come with your pain.
A contorted face,
So small, dry, and weak,
Tired of the masks you wear.

Come with your jaleb.
A soft ringing laugh
That echoes around,
Long after you purse your lips.

Come as Yourself.
With a pocket of dreams,
And all your misgivings.
I will still be here, always.

Don't Be Afraid of the Dark

I will squeeze your hand
When you are scared.


You will feel my touch
Even when I am not there.


I will stand beside you
But cast no shadow.


Don't be afraid of the dark
I will be your Jesus.


I ask for nothing in return
But your love...

Wednesday, February 22, 2012

Monday, February 20, 2012

DOSCO Class of '03 Fallen Comrades List

As our 10 year reunion date approaches, I was just putting together a list of my fellow Class of 2003 DOSCOs who are now married.  This list includes DOSCOs who left after A-form as well; so all in all about 80 odd people.  Not in chronological order:

1. Angad Singh Gand
2. Shashi Vaish
3. Ravinder Brar
4. Kunj Behari Maheshwari
5. Abhimanyu Singhi
6. Bishen Singh Arora
7. Ankit Khaitan
8. Abhenav Khettry
9. Jatinder Pal Bhattal
10. Abhishek Singh
11. Yeaffer Ahmed
12. Kaushlendra Singh
13. Akhil Jain
14. Ruchika Sabrewal

Did I miss anyone?

Sunday, February 19, 2012

Comic Quotient 2012!

So Delhi hosted the 2nd Comic Con this weekend.  Among other things, my friend Aniruddho Chakraborty launched his new comic book company: Chariot Comics with three titles: V.R.I.C.A., Damned, and Eklavya: Godslayer.  Do check them out.

We were going to host the Comics Quotient Quiz too, but due to "technical difficulties" we did not, so I thought I would just post all the questions here.  Be warned this is some cold, hard, geeky stuff... not for the comically causal ones. 

I'll put the answers in the comments section in a week or so.

COMICS QUOTIENT QUIZ

1. The Wachowski Brothers claimed that a Masumane Shirow manga - which was also made into a movie and an anime series, was responsible for the visual aspect of The Matrix.  Name the manga series.

2. Which graphic novel is the only comic book ever to win the Hugo Award for Science Fiction?

3. Sherlock Holmes lives in 221B Baker Street, in the English translation, where does Tintin live before he moves to Marlinspike Hall?

4. In 1989, the creator of Lucky Luke, Morris, won an award from the World Health Organization.  Why?

5. William Moulton Marston, famous as the creator of Wonder Woman, is also famous for inventing a well known instrument which was used to question Nazi POWs in WW2.  What was this device?

6. Jimmy Olsen, Perry White, The Daily Planet, and Kryptonite all appeared in a particular format before they became regulars in the Superman comic books.  What format are we talking about?

7. In the 1940s on the Superman radio show, a journalist called Stetson Kennedy helped Superman use "Truth, Justice and the American Way" to fight a real world menace in the US.  The Radio show put the bad guys on the same moral plane as Lex Luthor and the Nazis.  Who did Superman fight?

8. In 1983, Judge Jack Love of New Mexico was inspired by a 70s Spider-Man comic strip where Kingpin was tracking Spidey's movements via an electronic bracelet.  What gadget did this inspiration lead to?

9. Masashi Kishimoto, an award winning manga-ka became the 9th highest taxed individual in Japan back in 2006.  Name his most famous creation.

10. In 1981, DC and Marvel together trademarked a much used phrase in the world of comic books.  What phrase is this?

11. In 1994, in X-Men Unlimited #4, which former member of the Brotherhood of Evil Mutants was revealed to be Nightcrawler's mother?

12. In 1979, Vince McMohan and Marvel comics struck a sort of a deal linking two of their respective superstars.  What kind of a deal was this?

13. Kevin Smith in his acclaimed run on the Daredevil title killed off a major Spiderman villain without notifying the Spiderman editors who were using the same villain in their next Spiderman title.  Who was this villain?

14. In the 1978 cartoon adaptation of The Fantastic Four, the character of The Human Torch was mysteriously replaced by a robot.  What was the robot's name?  Bonus point for the full name.  More points if you can tell me why the Human Torch did not feature in the TV show.

15. Joe Carter created the Marvel character The Human Torch, but is much more famous for creating another character for DC, under a different name.  What character and what name?

16. Along with Jack Kirby, and Carl Barks, who was the third inaugural inductee of the Will Eisner Comic Book Hall of Fame?

17. The Joker made his first appearance in Batman#1 in 1940; which is the first issue of Batman in which the Joker dies?

18. The Hulk's alter-ego's name started as Bruce Banner, but mysteriously changed to Bob Banner a few months later due to Stan Lee's forgetfulness.  How did Stan Lee bridge this discrepancy?

19. In Amazing Spider-man #573, writer Mark Waid and artist Patrick Olliffe re-created the iconic Amazing Fantasy#15 cover (where Spiderman makes his first cover appearance); with a television funny man rescuing Spider-man.  Who is this famous television funny man?

20. Name the five male Green Lanterns in order of appearance.

21. What is the real name of Lee Falk's quintessential purple clad hero - the 21st Phantom?

22. What is the name of the Archie gang's hometown?

23. In the standard cannon name the three people who have donned the Robin cape.

24. Name the seven original members of the Justice League of America.

25. In Pran's Chacha Chowdhury comics, when Sabu gets angry, what natural phenomenon occurs somewhere?

26. Which Raj Comics character was taught martial arts by Haldi Khan, boxing by Dhania Khan, and marksmanship by Kalimirchi Khan?

27. Which superhero has an Egyptian snake called Saudangi living inside his body?

28. I am the son of trapeze artists Shyam and Radha.  I was raised under the tutelage of the different artists of Jupiter Circus.  I have the ability to speak to animals and sea creatures.  Who am I?

29. Connect the following: the movie The Matrix, Neil Gaiman's The Sandman, the newspaper comic strip Little Nemo, and the video game Resident Evil: Dead Aim

30. I was born in 1957 to an Irish Catholic family in Maryland.  My formative years in Hell's Kitchen, New York, influenced my 80s work on Daredevil.  My lesser known works include Ronin and Holy Terror.  I have won six Eisner Awards, four Kirbys, and three Harveys.  I have also made cameo appearances in Robocop, The Spirit, and Daredevil.  Who am I?

31. Todd McFarlane wrote and drew Spiderman#1 in 1990 which went on to become one of the largest selling comic books of all-time.  After a tiff with Marvel, he started his own publishing company and introduced a new character.  The debut comic sold over 1.7 million issues and spawned a feature film and an HBO TV series.  Name the character.

32. His first drawing was published in Ripley's Believe it or Not in 1947.  His first strip was called "Li'l Kids".  His primary character was based on himself, but he borrowed the name from a friend.  Another one of his main characters is the mascot of a major insurance firm.  Who and which comic strip?

33. The 2005 Keanu Reeves movie "Constantine" is based on which Brian Azzarello Vertigo Comics series?

34. In which Eisner and Harvey award winning comic book would you find The Dog, The Bastard, The Wolf, The Point Man, The Rain, The Monster, and The Saint?

35. Which Nordic Marvel character first made his appearance in Journey into Mystery#83 as disabled medical student Donald Blake?

36. What distinction does the comic strip character "The Yellow Kid" created by Richard Outcault hold in the history of comic books?

37. Which comic strip holds the Guinness Book of World Record for being the world's most syndicated comic strip?

38. This series of comics was created by Anant Pai and published by India Book House.  In 2007, the imprint and all its titles were acquired by ACK Media which is digitizing the entire collection.  Which well known imprint are we talking about?

39. The last unfinished story had a plot involving the world of modern art, and the story ends as the main protagonist is about to be killed, encased in Perspex, and about to be presented as a work of art.  Unfortunately, the creator died on the 3rd of March 1983, leaving the comic unfinished and the protagonist's fate unknown.  Name the character and the comic.

40. In Marvel's Uncanny X-Men #390 who dies of the Legacy virus?

41. What is J'onn J'ozz, the Martian Manhunter's one weakness?

42. Name the 7 original members of the West Coast Avengers.

43. In the Spider-Girl comics, why did Spiderman give up being Spiderman?

44. Matt Fraction, the Eisner award winning writer of The Immortal Iron Fist and Uncanny X-Men, once took out a restraining order on fellow Eisner award winning writer Ed Brubaker.  Can you tell me why?

45. In DC Comics, Clark Kent has had 3 loves in his life.  Name them.  Hint: they all start with the letter "L".

46. In DC Comics World's Finest #258 what is the Kryptonian Curse and what does it do?

47. In 1991, Jim Lee and Chris Claremont released a spin-off series starting with X-Men#1 which holds the Guinness Book of World Record for what particular distinction?

48. In 1992, Jim Lee drew and co-wrote a new series for Image Comics called WildC.A.T.s.  What does the acronym C.A.T stand for?

49.  In DC's Adventure Comics "Dial 'H' for Hero", what was unique about the Heroes Chris and Vicki turned into?

50. Jamie Hewlett created the cyberpunk comic book called "Tank Girl" in the 1980s, but he is more famous for another cartoon creation that he came up with Blur front man Damon Albarn - a creation that would take the music world by storm.  What was this creation?

51. In the Calvin and Hobbes comics, what space faring persona does Calvin take on when he is day dreaming?  Extra point if you can also tell me what the name of the alien species he is usually fighting in these dreams.

52. Name the comic book that features a 3-eyed cat, cancer-free cigarettes, and a character who likes to say "I don't give two tugs of a dead dog's dick".

53. Name the fishmonger, blacksmith, and bard of Asterix's sleepy little village.

54. Which famous Defender of the Earth's arch nemesis was Ming the Merciless?

55. This famous Padma Vibhushan winning cartoonist's work adorn the walls of Cafe Mondegar in Colaba.  The creator of characters like Miss Nimbupani and Miss Fonesca, he had a long and illustrious career with R.K. Laxman and The Times of India.  He passed away on the 11th of December 2011 in his house in Mumbai.  Name him.

56. Name the single panel newspaper cartoon strip that made R.K. Laxman a household name in India.

57. Which famous webcomic, created by Randall Munroe has the tagline "a webcomic of romance, sarcasm, math, and language"?

58. This video gaming driven webcomic, first launched in 1998, features John "Gabe" Gabriel and Tycho Brahe as the alter egos of the creators.  Name the webcomic.

59. In the DC and Marvel worlds, what is the one universal law that separates the "good guys" from the "bad guys"?

60. Which comic book publication contains characters such as Kalia the Crow, Shikari Shambhu, and Suppandi?

61. In the newspaper comic strip "Hagar the Horrible", what is the name of Hagar and Helga's son?  The names of everyone in Hagar's family start with an H.

62. Which superhero was born with the "Curse of Kordax"?  Bonus point if you can tell me what physical feature of the character denotes the curse.

63. What super villain was created when Emil Blonsky, a spy assigned to steal the research of Dr. Bruce Banner, accidentally exposed himself to a concentrated burst of gamma rays?

64. What Chester Gould character made his first appearance in the Detroit Free Press on October 4, 1931?

65. Which super-hero grew up on the planet Tamaran?

66. Edwin Jarvis serves as a butler to which super hero team?

67. Which super-heroine was inhabited by the soul of an ancient Egyptian princess after attempting suicide?

68. Who is the Scarlet Witch's twin brother?

69. Which super-hero gained his powers after being exposed to the Orb of Ra?

70. T'Challa, the king of Wakanda, is also known as what superhero?

71. When Bucky was wounded in combat, who became Captain America's new sidekick?

72. Which writer/director of Buffy, and Firefly, also wrote Astonishing X-Men?

73. Which comic book character is named after a physiological test devised by a Swiss psychologist in the 1960s?

74. In which Marvel franchise does Wolverine make his first ever appearance?

75. Which famous comic book author, whose many graphic novels have been made into movies, requests that his name be removed from the credits of movies based on his work?

76. Which X-Men character is Remy LeBeau better known as?

77. Dark Claw is an Amalgam Comics superhero. He is a combination of a Marvel Comics' and a DC Comics' comics character.  He exists only in the temporary Amalgam Universe created when the DC and Marvel Universes combine.  Name the individual characters.

78. In which fictitious city do the events of Frank Miller's Sin City take place?

79. Which countries are these two X-Men characters from: Wolverine, Nightcrawler.  I want both countries.

80. In the events of Batman: Knightfall, after Bane breaks Bruce Wayne's back, who takes on the role of Batman?

81. In the Wildstorm universe, Jenny Sparks aka The Spirit of the 20th Century forms which super team with Swift and Jack Hawksmoor after the end of Stormwatch Black?

82. Which famous 1996 DC comic book by Mark Waid starts with the prelude of The Joker massacring the staff of The Daily Planet including Jimmy Olsen, Perry White, and Lois Lane?  Hint: The Joker is then killed by a new super hero named Magog.

83. This inter-company crossover DC comic series by Brad Meltzer (with Rags Morales and Michel Bair), starts with the murder of Sue Dibny, the wife of super-hero Elongated Man and the JLA investigating to find the killer.

84. Which Vertigo comic book written by Garth Ennis tells the story of Jesse Custer in the small Texas town of Annville?

85. Which Vertigo title deals with various characters from fairy tales and folklores that are forced out of their homelands by "The Adversary"?

86. Which manga and anime characters signature finishing move is the "kame-hame-ha"?

87. In the extended Star Wars universe of the Legacy series, which decendant of Luke Skywalker is the main protagonist?
Enjoy!

Tuesday, January 31, 2012

In The Company of Heroes

I have a Kindle now and I love it.  Best investment I've made since buying gold early last year.  I've already read several books and thanks to the Kindle Owner's Lending Library and Amazon's Daily Deals, I've discovered some great stuff, and also quite a few disappointments.

The Settlers of Catan - seriously, it's a book now!  Rebecca Gable, a German historical writer took the classic board game elements and set it up as the Nordic settlement in Iceland in the 10th century.  As literature it wasn't that great, but I was curious to see how the elements of the game will be woven into the book.  To be honest, it was fairly disappointing.  Not recommended.

Earth Strike: Star Carrier: Book 1 - Famed military sci-fi and space opera writer returns to what made him famous - humans on the brink of obliteration from an all-powerful galactic empire.  This is no Battlestar Gallactica - this is unadulterated space battles with singularity drives and "kinetic-kill" nuclear tipped Krait missle stuff.  Pretty fun stuff, but again, not recommended.

Call for the Dead - John Le Carre - Where it all began, with the introduction of George Smiley - the slovenly looking unassuming spy, whose ex-wife lovingly called him toad becaue he looked like one.  The precursor to The Spy Who Came in from the Cold and Tinker, Tailor, Soldier, Spy.  This is where is starts.  Seems ancient by modern spy standards (What, no GPS tracking devices? It's 1966!)  Brings me back to the classic noir writings of Mickey Spillane and co.  Great stuff if you're interested in clandestine genre.

Finally, In the Company of Heroes - Mike Durant.  Black Hawk Down is one of my favorite war movies of all time.  Nothing else comes close to bringing the science, chaos and horror of modern warfare to cinema and Mike Durant brings alive his tale of being a Somali POW in the Battle of Mogadishu in 1993 with amazing candor.  Rivetting read.  I think I'm going to pick up Bowden's Black Hawk Down after I finish this.

Wednesday, January 11, 2012

Dry Land and Other Stories

The work week was hard, so of course, distractions were necessary.  Here's what's distracting me now.

King Henry is back at The Emirates.  Unfortunately, Sir Robert will not be joining him - but he might come to India!  Whoa.  Move over India vs. Bayern Munich and testimonial matches.  What a great night though at the JN Stadium.  Poor Baichung, not the best farewell match to have.  Final score 4-0...

Granted Bjork has done some decent music, but most of the time I can't tell the difference between Bjork, Yoko Ono, and a seal whose flipper has been smashed into a car door.  Still, even without Bjork and the economic crisis music from Iceland survives.  They gave us Sigur Ros - check out their fantastic documentary "Heima" - here's a taste of their music.  There was also Ryoksopp in between.  Then they gave us Bloodgroup.  Their first album "Sticky Situation" was tonally harsher with a lot of heavy synth sounds (well they are an electro pop group so I should have expected that), but their second album "Dry Land" is a bloody revelation.  Beautifully arranged with lounging Enyaesque vocals.  Great stuff, definitely warrants a listen.  Here's a couple of my picks from the album:
"This Heart" and "Wars"... don't want to give the rest away.  And if you think these guys hide behind distortion have a listen to this version of "This Heart" at the GogoYoko Studio.

Shravan introduced me to the wonderfully quirky and funny world of David Sedaris - a comic writer - yet insight-fully cynical and sarcastic.  Presently reading "Me Talk Pretty One Day".

Maggie brought Neon's "Skydiver" as my staple office work listen.  You won't be able to get your hands on this easily since Neon only released this as a 12" LP vinyl single.  Trippy seven minutes.  Reminds me of Japanese DJ Quadra's "Get it by Your Hands".

Of course, what's been making the rounds even faster than "Kolaveri Di" is Walk of the Earth's cover of Gotye's "Somebody That I Used to Know" - over 11 million views in a week!  What a fantastic video - do have a listen.

Ok, everyone says this is one of the most overplayed songs of 2011, but I only discovered it recently.  Yes, it is Foster the People's "Pumped Up Kicks".  While the original might be over-played, I discovered two amazing covers.  The first a bluesy take by internet sensation Karmin, and the second by a one-man-band internet sensation Basement Alchemy.  Have a listen!

That's all folks!

Sunday, January 01, 2012

What Am I Tripping On Now?

Ok, ever since CJ introduced me to Project Free TV, I've been tripping on NCIS - yes, the TV show.  I was curious.  Why is a crime procedural drama, the most popular prime time TV show in the US.  We have shows that deal with the military (JAG, Combat Hospital), we have shows that deal with forensics (CSI and it's million avatars), we have quirky crime solving team shows (The Mentalist, Castle, Bones), so why is NCIS drawing the crowds?  I've watched six and a half seasons now, and I still can't answer that question.  I just keep watching, though I'm not sure why.  Sure, the plots are relatively mysterious, the forensics are quite hocus-pocus, the characters are endearing and well drawn out, but it's no The Wire, or Battlestar Gallactica, nor is it M*A*S*H.  Yet, I keep watching.  A mystery...


I have, however, discovered an Israeli hip-hop, funk band through NCIS called Hadag Nahash (roughly translates to either The Fish Snake, or A New Direction).  They've been accused of left-leaning politics in their songs (which is true), but they shit out some catchy stuff - much like our "Kolaveri Di" craze.


Check out some of their stuff:
"Shirat Hastikar (The Sticker Song)" - This was written by famed Israeli novelist David Grossman.
"Bella Bellissima" - based on a true story.
And, of course, "Kolaveri Di" - which drove a nation crazy for one fall and produced a dozen offsprings.


I've also been tripping on the writings of A.J. Jacobs - the editor-at-large for Esquire magazine.  I first heard about this fellow when I caught him on a TED talk about the year he spent following every tenant in the Bible.  Since then I've read most of his stuff.  I really identify with his childlike experimental mentality and sense of adventure in writing.  The tendency we have of doing things so that we can write/tell other people about it.  Check out some of his "stunt journalism".  http://www.esquire.com/search/?q=A.J.+Jacobs


New trip: An article by mathematician and teacher Paul Lockhart - "A Mathematician's Lament".  A cry of despair about the way mathematics is taught, and has been taught for the better part of the century - curbing creative instincts and replacing them with rigorous techniques or procedures.  He claims math should be taught as an art, not as a tool for engineers.  While I don't agree with everything he says, I do feel that school curriculum ignores "historical context" and appreciation of mathematics, something, both I, and the author feel very passionate about.  It's a great read:
http://www.maa.org/devlin/LockhartsLament.pdf

"You Make A Move Where Your Opponent Will Be, Not Where He Is..."

Bobby Fischer: The Knight Who Killed The Kings.  A free web comic about the life and games of one of the greatest chess maestros.  This isn't a glowing epithet about how brilliant Bobby Fischer was, nor is it nitpicking his flaws, neurosis, and paranoia.  It's a good comic, telling a good story with very French New Fave art work and a human Boris Spassky.  As of right now, only three chapters are up, but they are worth the time.

Friday, December 16, 2011

Rahul Dravid's Speech at the Don Bradman Oration

I want to keep it here for posterity's sake...
Thank you for inviting me to deliver the Bradman Oration; the respect and the regard that came with the invitation to speak tonight, is deeply appreciated.
I realise a very distinguished list of gentlemen have preceded me in the ten years that the Bradman Oration has been held. I know that this Oration is held every year to appreciate the life and career of Sir Don Bradman, a great Australian and a great cricketer. I understand that I am supposed to speak about cricket and issues in the game - and I will.
Yet, but before all else, I must say that I find myself humbled by the venue we find ourselves in.
Even though there is neither a pitch in sight, nor stumps or bat and balls, as a cricketer, I feel I stand on very sacred ground tonight. When I was told that I would be speaking at the National War Memorial, I thought of how often and how meaninglessly, the words 'war', 'battle', 'fight' are used to describe cricket matches.
Yes, we cricketers devote the better part of our adult lives to being prepared to perform for our countries, to persist and compete as intensely as we can - and more.
This building, however, recognises the men and women who lived out the words - war, battle, fight - for real and then gave it all up for their country, their lives left incomplete, futures extinguished.
The people of both our countries are often told that cricket is the one thing that brings Indians and Australians together. That cricket is our single common denominator.
India's first Test series as a free country was played against Australia in November 1947, three months after our independence. Yet the histories of our countries are linked together far more deeply than we think and further back in time than 1947.We share something else other than cricket. Before they played the first Test match against each other, Indians and Australians fought wars together, on the same side.
In Gallipoli, where, along with the thousands of Australians, over 1300 Indians also lost their lives. In World War II, there were Indian and Australian soldiers in El Alamein, North Africa, in the Syria-Lebanon campaign, in Burma, in the battle for Singapore.
Before we were competitors, Indians and Australians were comrades. So it is only appropriate that we are here this evening at the Australian War Memorial, where along with celebrating cricket and cricketers, we remember the unknown soldiers of both nations. It is however, incongruous, that I, an Indian, happen to be the first cricketer from outside Australia, invited to deliver the the Bradman Oration.
I don't say that only because Sir Don once scored a hundred before lunch at Lord's and my 100 at Lord's this year took almost an entire day. But more seriously, Sir Don played just five Tests against India; that was in the first India-Australia series in 1947-48, which was to be his last season at home. He didn't even play in India, and remains the most venerated cricketer in India not to have played there.
We know that he set foot in India though, in May 1953, when on his way to England to report on the Ashes for an English newspaper, his plane stopped in Calcutta airport. There were said to be close to a 1000 people waiting to greet him; as you know, he was a very private person and so got into an army jeep and rushed into a barricaded building, annoyed with the airline for having 'breached confidentiality.'
That was all Indians of the time saw of Bradman who remains a mythical figure.
For one generation of fans in my country, those who grew up in the 1930s, when India was still under British rule, Bradman represented a cricketing excellence that belonged to somewhere outside England. To a country taking its first steps in Test cricket, that meant something. His success against England at that time was thought of as our personal success. He was striking one for all of us ruled by the common enemy. Or as your country has so poetically called them, the Poms.
There are two stories that I thought I should bring to your notice. On June 28, 1930, the day Bradman scored 254 at Lord's against England, was also the day Jawaharlal Nehru was arrested by the police. Nehru was, at the time, one of the most prominent leaders of the Indian independence movement and later, independent India's first Prime Minister. The coincidence of the two events, was noted by a young boy KN Prabhu, who was both nationalist, cricket fan and later became independent India's foremost cricket writer. In the 30s, as Nehru went in and out of jail, Bradman went after the England bowling and for K N Prabhu, became a kind of avenging angel.
There's another story I've heard about the day in 1933, when the news reached India that Bradman's record for the highest Test score of 334 had been broken by Wally Hammond. As much as we love our records, they say some Indian fans at the time were not exactly happy.
Now, there's a tale that a few even wanted to wear black bands to mourn the fact that this precious record that belonged to Australia - and by extension, us - had gone back. To an Englishman. We will never know if this is true, if black bands were ever worn, but as journalists sometimes tell me, why let facts get in the way of a good story.
My own link with Bradman was much like that of most other Indians - through history books, some old video footage and his wise words. About leaving the game better than you found it. About playing it positively, as Bradman, then a selector, told Richie Benaud before the 1960-61 West Indies tour of Australia. Of sending a right message out from cricket to its public. Of players being temporary trustees of a great game.
While there may be very little similarity in our records or our strike rates or our fielding - and I can say this only today in front of all of you - I am actually pleased that I share something very important with Sir Don. He was, primarily, like me, a No.3 batsman. It is a tough, tough job.
We're the ones who make life easier for the kings of batting, the middle order that follows us. Bradman did that with a bit more success and style than I did. He dominated bowling attacks and put bums on seats ,if I bat for any length of time I am more likely to bore people to sleep. Still, it is nice to have batted for a long time in a position, whose benchmark is, in fact, the benchmark for batsmanship itself.
Before he retired from public life in his 80s, I do know that Bradman watched Sunil Gavaskar's generation play series in Australia. I remember the excitement that went through Indian cricket when we heard the news that Bradman had seen Sachin Tendulkar bat on TV and thought he batted like him. It was more than mere approval, it was as if The great don had finally, passed on his torch. Not to an Aussie or an Englishman or a West Indian. But to one of our own.
One of the things, Bradman said has stayed in my mind. That the finest of athletes had, along with skill, a few more essential qualities: to conduct their life with dignity, with integrity, with courage and modesty. All this he believed, were totally compatible with pride, ambition, determination and competitiveness. Maybe those words should be put up in cricket dressing rooms all over the world.
As all of you know, Don Bradman passed away on February 25, 2001, two days before the India v Australia series was to begin in Mumbai.Whenever an important figure in cricket leaves us, cricket's global community pauses in the midst of contests and debates, to remember what he represented of us, what he stood for and Bradman was the pinnacle. The standard against which all Test batsmen must take guard.
The series that followed two days after Bradman's death later went on to become what many believe was one of the greatest in cricket. It is a series, I'd like to believe, he would have enjoyed following.
A fierce contest between bat and ball went down to the final session of the final day of the final Test. Between an Australian team who had risen to their most imposing powers and a young Indian team determined to rewrite some chapters of its own history.
The 2001 series contained high-quality cricket from both sides and had a deep impact on the careers of those who played a part in it. The Australians were near unbeatable in the first half of the new decade, both home and away.
As others floundered against them, India became the only team that competed with them on even terms.
India kept answering questions put to them by the Australians and asking a few themselves. The quality demanded of those contests, sometimes acrimonious, sometimes uplifting, made us, the Indian team, grow and rise. As individuals, we were asked to play to the absolute outer limits of our capabilities and we often extended them.
Now, whenever India and Australia meet, there is expectation and anticipation - and as we get into the next two months of the Border Gavaskar Trophy, players on both sides will want to deliver their best.
When we toured in 2007-08, I thought it was going to be my last tour of Australia. The Australians thought it was going to be the last time they would be seeing Sachin Tendulkar on their shores. He received warm standing ovations from wonderful crowds all around the country.
Well, like a few, creaking Terminators, we're back. Older, wiser and I hope improved.
The Australian public will want to stand up to send Sachin off all over again this time. But I must warn you, given how he's been playing these days, there are no guarantees about final goodbyes.
In all seriousness, though, the cricket world is going to stop and watch Australia and India. It is Australia's first chance to defend their supremacy at home following defeat in the 2010 Ashes and a drawn series against New Zealand. It is India's opportunity to prove that the defeat to England in the summer was an aberration that we will bounce back from.If both teams look back to their last 2007-08 series in Australia, they will know that they should have done things a little differently in the Sydney Test. But I think both sides have moved on from there; we've played each other twice in India already and relations between the two teams are much better than they have been as far as I can remember.
Thanks to the IPL, Indians and Australians have even shared dressing rooms. Shane Watson's involvement in Rajasthan, Mike Hussey's role with Chennai to mention a few, are greatly appreciated back home.
And even Shane Warne likes India now. I really enjoyed played alongside him at Rajasthan last season and can confidently report to you that he is not eating imported baked beans any more.
In fact,looking at him, it seems, he is not eating anything. It is often said that cricketers are ambassadors for their country; when there's a match to be won, sometimes we think that is an unreasonable demand. After all, what would career diplomats do if the result of a Test series depended on them, say, walking? But, as ties between India and Australia have strengthened and our contests have become more frequent, we realise that as Indian players, we stand for a vast, varied, often unfathomable and endlessly fascinating country.
At the moment, to much of the outside world, Indian cricket represents only two things - money and power. Yes, that aspect of Indian cricket is a part of the whole, but it is not the complete picture. As a player, as a proud and privileged member of the Indian cricket team, I want to say that, this one-dimensional, often cliched image relentlessly repeated, is not what Indian cricket is really all about. I cannot take all of you into the towns and villages our players come from, and introduce you to their families, teachers, coaches, mentors and teammates who made them international cricketers.
I cannot take all of you here to India to show you the belief, struggle, effort and sacrifice from hundreds of people that runs through our game.
As I stand here today, it is important for me to bring Indian cricket and its own remarkable story to you. I believe it is very necessary that cricketing nations try to find out about each other, try to understand each other and the different role cricket plays in different countries, because ours is, eventually, a very small world.
In India, cricket is a buzzing, humming, living entity going through a most remarkable time, like no other in our cricketing history.
In this last decade, the Indian team represents more than ever before, the country we come from - of people from vastly different cultures, who speak different languages, follow different religions, belong to all classes of society.
I went around our dressing room to work out how many languages could be spoken in there and the number I have arrived at is: 15 including Shona and Akrikaans.
Most foreign captains, I think, would baulk at the idea. But, when I led India, I enjoyed it, I marvelled at the range of difference and the ability of people from so many different backgrounds to share a dressing room, to accept, accomodate and respect that difference. In a world growing more insular, that is a precious quality to acquire, because it stays for life and helps you understand people better, understand the significance of the other .
Let me tell you one of my favourite stories from my under-19 days, when the India under-19 team played a match against the New Zealand junior team.
We had two bowlers in the team, one from the north Indian state of Uttar Pradesh - he spoke only Hindi, which is usually a link language
for players from all over India, ahead even of English.
It should have been alright, except the other bowler came from Kerala, in the deep south, and he spoke only the state's regional language, Malayalam. Now even that should have been okay as they were both bowlers and could bowl simultaneous spells.
Yet in one game, they happened to come together at the crease. In the dressing room, we were in splits, wondering how they were going to manage the business of a partnership, calling for runs or sharing the strike.
Neither man could understand a word of what the other was saying and they were batting together. This could only happen in Indian cricket. Except that these two guys came up with a 100-run partnership. Their common language was cricket and that worked out just fine.
The everyday richness of Indian cricket lies right there, not in the news you hear about million-dollar deals and television rights. When I look back over the 25 years I've spent in cricket, I realise two things. First, rather alarmingly, that I am the oldest man in the game, older to even Sachin by three months.
More importantly, I realise that Indian cricket actually reflects our country's own growth story during this time.
Cricket is so much a part of our national fabric that as India - its economy, society and popular culture - transformed itself, so did our most-loved sport.
As players we are appreciative benefeciaries of the financial strength of Indian cricket, but we are more than just mascots of that economic power.
The caricature often made of Indian cricket and its cricketers in the rest of the world is that we are pampered superstars. Overpaid, underworked, treated like a cross between royalty and rock stars.
Yes, the Indian team has an enormous, emotional following and we do need security when we get around the country as a group. It is also where we make it a point to always try and conduct ourself with composure and dignity. On tour, I must point out, we don't attack fans or do drugs
or get into drunken theatrics. And at home, despite what some of you may have heard, we don't live in mansions with swimming pools.
The news about the money may well overpower all else, but along with it, our cricket is full of stories the outside world does not see.
Television rights generated around Indian cricket, are much talked about. Let me tell you what the television - around those much sought-after rights - has done to our game.
A sport that was largely played and patronised by princes and businessmen in traditional urban centres, cities like Bombay, Bangalore, Chennai, Baroda, Hyderabad, Delhi - has begun to pull in cricketers from everywhere.
As the earnings from indian cricket have grown ,in the past 2 decades ,mainly thru television,the BCCI has spread revenues to various pockets in the country and improved where we play.the field is now spread wider than it ever has been,the ground covered by Indian cricket ,has shifted .
27 teams compete in our national championship the Ranji Trophy.last season ,Rajasthan ,a state best known for it's palaces ,fortresses and tourism won the Ranji Trophy title for the first time in it's history .The national one day championship also had a first time winner,in the newly formed state of Jharkand where our captain MS Dhoni comes from .
The growth and scale of cricket on our television was the engine of this population shift. Like Bradman was the boy from Bowral, a stream of Indian cricketers now come from what you could call India's outback.
Zaheer Khan belongs to the Maharashtra heartland, from a town that didn't have even one proper turf wicket. He could have been an instrumentation engineer but was drawn to cricket through TV and modelled his bowling by practicing in front of the mirror on his cupboard at home, and first bowled with a proper cricket ball at the age of 17.
One day out of nowhere, a boy from a village in Gujarat turned up as India's fastest bowler. After Munaf Patel made his debut for India, the road from the nearest railway station to his village had to be improved because journalists and TV crews from the cities kept landing up there.
We are delighted that Umesh Yadav didn't become a policeman like he was planning and turned to cricket instead.
He is the first cricketer from the Central Indian first-class team of Vidarbha to play Test cricket.
Virender Sehwag, it shouldn't surprise, you belongs to the wild west just outside Delhi. He had be enrolled in a college which had a good cricket programme and travel 84kms every day by bus to get to practice and matches.
Every player in this room wearing an India blazer has a story like this.
Here, ladies and gentlemen, is the heart and soul of Indian cricket.Playing for India completely changes our lives. The game has given us a chance to pay back our debt to all those who gave of their time, energy, resources for us to be better cricketers: we can build new homes for our parents, get out siblings married off in style, give our families very comfortable lives.
The Indian cricket team is in fact, India itself, in microcosm. A sport that was played first by princes, then their subordinates, then the urban elite, is now a sport played by all of India.
Cricket, as my two under-19 teammates proved, is India's most widely-spoken language. Even Indian cinema has its regional favourites; a movie star in the south may not be popular in the north. But a cricketer? Loved everywhere.
It is, also, a very tough environment to grow up in - criticism can be severe, responses to victory and defeat extreme, there are invasions of privacy and stones have been thrown at our homes after some defeats.
It takes time getting used to, extreme reactions can fill us with anger. But every cricketer realises at some stage of his career, that the Indian cricket fan is best understood by remembering the sentiment of the majority, not the actions of a minority.
One of the things that has always lifted me as a player was looking out of the team bus when we travelled somewhere in India. When people see the Indian bus going by, see some of us sitting with our curtains drawn back, it always amazes me how much they light up.
There is an instantaneous smile, directed not just at the player they see - but at the game that we play that, for whatever reason, means something to people's lives. Win or lose, the man on the street will smile and give you a wave.
After India won the World Cup this year, our players were not congratulated as much as they were thanked by people they ran into. "You have given us everything," they were told, "all of us have won." Cricket in India now stands not just for sport, but possibility, hope, opportunities.
On our way to the Indian team, we know of so many of our teammates some of whom may have been equally or more talented than those sitting here, who missed out. When I started out, for a young Indian, cricket was the ultimate gamble - all or nothing, no safety nets. No second chances for those without an education or a college degree or second careers. Indian cricket's wealth now means a wider pool of well paid cricketers even at first-class level.
For those of us who make it to the Indian team, cricket is not merely our livelihood, it is a gift we have been given. Without the game, we would just be average people leading average lives. As Indian cricketers, our sport has given us the chance do something worthwhile with our lives. How many people could say that?
This is the time Indian cricket should be flowering; we are the world champions in the short game, and over the space of the next 12 months should be involved in a tight contest with Australia, South Africa and England to determine which one of us are the world's strongest Test team.
Yet I believe this is also a time for introspection within our game, not only in india,but all over the world.we have been given some alerts and responding to them quickly is the smart thing to do.
I was surprised a few months ago to see the lack of crowds in an ODI series featuring India. By that I don't mean the lack of full houses, I think it was the sight of empty stands I found somewhat alarming.
India played its first one-day international at home in November 1981 when I was nine. Between then and now India have played 227 ODIs at home; the October five-match series against England, was the first time that the grounds have not been full for an ODI featuring the Indian team.
In the summer of 1998, I played in a one-dayer against Kenya in Kolkata and the Eden Gardens was full. Our next game was held in the 48 degree heat of Gwalior and the stands were heaving.
The October series against England was the first one at home after India's World Cup win. It was called the 'revenge' series meant to wipe away the memory of a forgettable tour of England. India kept winning every game, and yet the stands did not fill up. Five days after a 5-0 victory, 95,000 turned up to watch the India's first Formula One race.
A few weeks later, I played in a Test match against the West Indies in Calcutta, in front of what was the lowest turn out in Eden Gardens' history. Yes we still wanted to win and our intensity did not dip. But at the end of the day, we are performers, entertainers and we love an audience. The audience amplifies everything you are doing, the bigger the crowd the bigger the occasion, its magnitude, its emotion. When I think about the Eden Gardens crowds this year, I wonder what the famous Calcutta Test of 2001 would have felt like with 50,000 people less watching us.
Australia and South Africa ,played an exiting and thrilling test series recently and two great test matches produced some fantastic performances from players of both teams ,but was sadly played in front of sparse crowds.
It is not the numbers Test players need, it is the atmosphere of a Test that every player wants to revel in and draw energy from; my first reaction to the lack of crowds for cricket was that there had been a lot of cricket and so perhaps, a certain amount of spectator-fatigue.
That is too simplistic a view; it's the easy thing to say but might not be the only thing.
The India v England ODI series had no context, because the two countries had played each other in four Tests and five ODIs just a few weeks before. When India and the West Indies played ODIs a month afer that, the grounds were full but this time matches were played in smaller venues that didn't host too much international cricket.
Maybe our clues are all there and we must remain vigilant.Unlike Australia or England, Indian cricket has never had to compete with other sports for a share of revenues, mindspace or crowd attendance at international matches.
The lack of crowds may not directly impact on revenues or how important the sport is to Indians, but we do need to accept that there has definitely been a change in temperature over, I think, the last two years.
Whatever the reasons are - maybe it is too much cricket or too little by way of comfort for spectators. The fan has sent us a message and we must listen. This is not mere sentimentality. Empty stands do not make for good television. Bad television can lead to a fall in ratings, the fall in ratings will be felt by media planners and advertisers' looking elsewhere.
If that happens, it is hard to see television rights around cricket being as sought after as they have always been in the last 15 years. And where does that leave everyone? I'm not trying to be an economist or doomsday prophet - this is just how I see it.
Let us not be so satisfied with the present, with deals and finances in hand that we get blindsided. Everything that has given cricket its power and influence in the world of sports has started from that fan in the stadium. They deserves our respect and let us not take them for granted.
Disrespecting fans is disrespecting the game. The fans have stood by our game through everything. When we play, we need to think of them. As players, the balance between competitiveness and fairness can be tough but it must be found.
If we stand up for the game's basic decencies, it will be far easier to tackle its bigger dangers - whether it is finding short cuts to easy money or being lured by the scourge of spot-fixing and contemplating any involvement with the betting industry.
Cricket's financial success means it will face threats from outside the game and keep facing them. The last two decades have proved this over and over again. The internet and modern technology may just end up being a step ahead of every anti-corruption regulation in place in the game. As players, the one way we can stay ahead for the game, is if we are willing to be monitored and regulated closely. Even if it means giving up a little bit of freedom of movement and privacy.
If it means undergoing dope tests, let us never say no.If it means undergoing lie-detector tests, let us understand the technology, what purpose it serves and accept it.
Now lie-dectectors are by no means perfect but they could acutally help the innocent clear their names. Similarly, we should not object to having our finances scrutinised if that is what is required.
When the first anti-corruption measures were put into place, we did moan a little bit about being accredited and depositing our cell phones with the manager. But now, we must treat it like we do airport security because we know it is for our own good and our own security.
Players should be ready to give up a little personal space and personal comfort for this game which has given us so much. If you have nothing to hide, you have nothing to fear.
Other sports have borrowed from cricket's anti-corruption measures to set up their own ethical governance programmes and we must take pride in belonging to a sport that is professional and progressive.
One of the biggest challenges that the game must respond today, I believe, is charting out a clear roadmap for the three formats. We now realise that the sport's three formats cannot be played in equal numbers - that will only throw scheduling and the true development of players completely off gear.
There is a place for all three formats, though, we are the only sport I can think of which has three versions. Cricket must treasure this originality. These three versions require different skills, skills that have evolved, grown, changed over the last four decades, one impacting on the other.
Test cricket is the gold standard, it is the form the players want to play.
The 50-over game is the one that had kept cricket's revenues alive for more than three decades now. Twenty20 has come upon us and it is the format people, the fans want to see.
Cricket must find a middle path, it must scale down this mad merry-go-round that teams and players find themselves in: heading off for two-Test tours and seven-match ODI series with a few Twenty20s thrown in.Test cricket deserves to be protected, it is what the world's best know they will to be judged by.
Where I come from, nation versus nation is what got people interested in cricket in the first place. When I hear the news that a country is playing without some of its best players, I always wonder, what do their fans think?
People may not be able to turn up to watch Test cricket but everyone follows the scores. We may not fill 65,000 capacity stadiums for Test matches, but we must actively fight to get as many as we can in, to create a Test match environment that the players and the fans feed off. Anything but the sight of Tests played on empty grounds. For that, we have got to play Test cricket that people can watch.
I don't think day-night Tests or a Test championship should be dismissed.
In March of last year I played a day-night first-class game in Abu Dhabi for the MCC - and my experience from that was that day-night Tests is an idea seriously worth exploring.
There may be some challenges in places where there is dew but the visibility and durability of the pink cricket ball was not an issue.
Similarly, a Test championship with every team and player driving themselves to be winners of a sought after title seems like it would have a context to every game.
Keeping Test's alive, may mean different innovations in different countries - maybe taking it to smaller cities, playing it in grounds with smaller capacities like New Zealand has thought of doing, maybe reviving some old venues in the West Indies, like the old Recreation Ground in Antigua.
When I was around seven years old, I remember my father taking a Friday off so that we could watch three days of Test cricket together. On occasions he couldn't, I would accompany one of his friends, just to soak in a day of Test cricket and watch the drama slowly unfold.
What we have to do is find a way to ensure that Test matches fit into 21st century life, through timing, environments, the venues they are held in. I am still convinced it can be done, even in our fast-moving world with a short attention span.
We will often get told that Test matches don't make financial sense, but no one ever fell love with Test cricket because they wanted to be a businessman. Not everything of value comes at a price.There is a proposal doing the rounds, about scrapping the 50-over game completely . I am not sure I agree with that - I certainly know that the 50-over game helped us innovate strokes in our batting which we were then able to take into Test matches. We all know that the 50-over game has been responsible for improving fielding standards all over the world.
The future may well lie in playing one-day internationals centered around ICC events, like the Champions Trophy and the World Cups. This would ensure that all 50-over matches would build up for those tournaments.
That will cut back the number of one-day internationals played every year but at least those matches will have a context. Since about, I think 1985, people have been saying that there is too much meaningless one-day cricket.
Maybe it's finally time to do something about it. The Twenty20 game as we know has as many critics as it has supporters in the public. Given that an acceptable strike rate in T20 these days is about 120, I should probably complain about it the most. The crowd and revenue numbers though, tell us that if we don't handle Twenty20 correctly, we may well have more and more private players stepping in to offer not just slices of pie, but maybe even bigger pies themselves.
So I'll re-iterate what I've just said very quickly because balancing three formats is important:
We have Test cricket like we have always had, nation versus nation, but carefully scheduled to attract crowds and planned fairly so that every Test playing country get its fair share of Tests.and playing for a championship or a cup not just a ranking .
The 50-overs format foucssed around on fewer, significant multi-nation ICC events like the Champions trophy and the World cup. In the four-year cycle between World Cups, plan the ODI calendar and devise rankings around these few important events. Anything makes more sense than 7-match ODI series.
The best role for Twenty20 is as a domestic competition through official leagues which will make it financially attractive for cricketers. That could also keep cricket viable in countries where it fights for space and attention.
Because the game is bigger than us all, we must think way ahead of how it stands today. Where do we want it to be in the year 2020? Or say in 2027, when it will be 150 years since the first Test match was played. If you think about it, cricket has been with us longer than the modern motor car, it existed before modern air travel took off.
As much as cricket's revenues are important to its growth, its traditions and its vibrancy are a necessary part of its progress in the future. We shouldn't let either go because we played too much of one format and too little of the other.
Professionalism has given cricketers of my generation priviledged lives, and we know it, even though often you may often hear us whining about burn-out and travel and the lack of recovery time.
Whenever we begin to get into that mindset, it's good to remember a piece of Sachin's conversation with Bradman. Sachin told us that he had asked Sir Don how he had mentally prepared for big games, what his routines were.
Sir Don said, that well, before a game, he would go to work and after the game,go back to work. Whenever a cricketer feels a whinge, coming on, that would be good to remember.
Before I conclude, I also want to talk briefy about an experience I have often had over the course of my career. It is not to do with individuals or incidents, but one I believe is important to share.
I have sometimes found myself in the middle of a big game, standing at slip or even at the non-strikers end and suddenly realised that everything else has vanished.
At that moment, all that exists is the contest and the very real sense of the joy that comes from playing the game.
It is an almost meditative experience where you reconnect with the game just like you did years ago, when you first began. When you hit your first boundary, took the first catch, scored your first century, or were involved in a big victory.
It lasts for a very fleeting passage of time, but it is a very precious instant and every cricketer should hang on to it.
I know it is utterly fanciful to expect professional cricketers to play the game like amateurs; but the trick I believe is taking the spirit of the amateur - of discovery, of learning, of pure joy, of playing by the rules - into our profession.
Taking it to practice or play, even when there's an epidemic of white-line fever breaking out all over the field. In every cricketer there lies a competitor who hates losing and yes, winning matters. But it is not the only thing that matters when you play cricket.
How it is played is as important for every member of every team because every game we play leaves a footprint in cricket's history. We must never forget that.What we do as professionals is easily carried over into the amateur game, in every way - batting, bowling, fielding, appealing, celebration, dissent, argument. In the players of 2027, we will see a reflection of this time and of ourselves and it had better not annoy or anguish us 50 year-olds.
As the game's custodians, it is important we are not tempted by the short-term gains of the backward step. We can be remembered for being the generation that could take the giant stride.
Thank you for the invitation to address all of you tonight and your attention.


Thursday, October 13, 2011

The City of Joy Chronicles

Cal is hard and hot and I hate it.  I just lost my temper, and came so close into getting into a fist fight with a large sardar.  I went to buy Bournvita from a store close to my house last evening, and this morning when I opened it, the seal was broken and the powder was solid.  So I went to return it but the storekeeper said it wasn't his problem once it left the store.  I started to reason with him and then arguing with him.  In the end I got so mad I chucked the open Bournvita bottle to the floor with the stuff spilling all over.  The sardar got furious, I thought he was going to punch me.  He started shouting at me, I shouted back.  Finally I said, "Oops, I dropped it, I'm sorry" and left the store.  As I was leaving, he tells me that this shows how uneducated I am.  I told him that he's what's wrong with this country.  I think I was expecting him to just take it back and replace it or give me my money back.  I can't remember the last time I was so mad at someone.  I think I just wanted to be mad.